Tao Hui: Being Wild

Tao Hui

Being Wild

Video, color, sound

12 min 3 sec

2021

 

A young woman skates through a college town, an old paper factory, an urban movie set, and a city center, singing lyrics by 1980s Taiwanese folk singers Tai Chaomei and Helen Wang. These lyrics are interspersed with lines that the artist wrote, creating a dialogue between the two. Roller skating came to China in the 1980s, and it gained popularity after the 1989 Asian Roller Skating Championship, which embedded it in the collective memory of a generation. The video draws on settings that frequently appear in film and television. Here, the everyday act of skating becomes a metaphor for the rapid passage of time. In this motion, individuals can use their bodies as a measure of the city and of the pace of the economy, exploring how to break free from those restrictions.

 

About the Artist

Tao Hui (b. 1987, Yunyang, Chongqing) graduated from the Oil Painting Department at the Sichuan Fine Arts Institute and currently lives and works in Beijing. Despite receiving a degree in oil painting, he primarily works in video and installation, refining and transforming personal memories, visual experiences, and popular culture to create new narrative modes and film styles. Focusing on issues of social identity, gender status, race, and cultural crisis, Tao Hui employs absurd, bizarre, and exaggerated scenes and characters that evoke metaphors and dislocations to present the collective experience of people today, prompting the audience to face their own cultural histories, lived circumstances, and social status.

MACA Art Center is a non-profit contemporary art institution housed in a standalone building of minimalistic industrial style and futuristic design in Beijing's 798 Art District, a major hub for arts and culture in the city. Through forward-looking and experimental content, MACA aims to enable communication traversing disciplinary boundaries while forging international dialogues grounded in the specificities of a Chinese perspective. Our programmatic scope, which spans exhibitions, research initiatives, pan-performance practices, and alternative communal engagement, signals a commitment to exploring ideas outside established epistemic frameworks. MACA seeks to position itself as a new institutional mode, proposing an alternative coordinate within the topology of Chinese contemporary art. Through art, we address our radically transforming times.